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Teatro Nicola Vaccaj

Tolentino
General

The nominated property includes the Teatro Nicola Vaccaj and the surrounding blocks. The the-atre is a standalone monumental structure that blends in with the historic fabric of Tolentino thanks to materials also used widely in the surrounding architecture.

The nominated property includes the Teatro Nicola Vaccaj and the surrounding blocks. The the-atre is a standalone monumental structure that blends in with the historic fabric of Tolentino thanks to materials also used widely in the surrounding architecture. The pure volumes of the exterior clearly announce the function that the building serves, making it a magnificent example of architecture par-lante. One of the highlights of the theatre is its well-preserved, historic house curtain painted by the artist and architect Giuseppe Locatelli. This work is reminiscent of Roman wall painting. A Vestal is shown in the centre with, on one side, a faun holding a cornucopia-shaped mirror and, on the other, a rural nymph with a mask. The mirror and the mask are both symbols of theatre and are both a ref-erence to the double figure, a recurring theme in the dramatic arts.

The boxes painted with mythological scenes by Giuseppe Lucatelli were carefully restored, then relocated to the foyer. Some of the medallions frescoed by Luigi Fontana were also restored, which helped recreate the theatre’s original historical and artistic atmosphere.

The Teatro Nicola Vaccaj is managed by AMAT – Associazione Marchigiana Attività Teatrali, to-gether with the local association Compagnia della Rancia, both with close ties to the theatre. Com-pagnia della Rancia is based in Tolentino, where it stages its main productions. The theatre season begins in November and primarily offers a variety of drama performances and musicals. For younger children, the theatre presents a festival entitled “A Teatro con Mamma e Papà” (At the Theatre with Mum and Dad). Throughout the year, the Teatro Nicola Vaccaj serves as a vibrant cultural hub that hosts an array of events, including conferences, concerts and recitals. Artist-in-residence programmes organised by Compagnia della Rancia and other major theatre companies around Italy attract many actors, technicians, and other professionals to Tolentino. National premieres attract audiences from across the Marche region and beyond. Several associations have close ties with the theatre. These include: Compagnia della Rancia, the Tolentino school of acting, the Vaccaj Music Institute, the Tolen-tino Polyphonic Choir, Associazione Musicale N. Gabrielli, educational institutions, dance schools, and UNITRE (university of the third age). The Teatro Nicola Vaccaj is open for visits and guided tours on any day of the week, including weekends and public holidays, subject to booking.

Historical Context
Ancien Régime Europe (pre-1789)​
Design and Inauguration dates
1787–1797​
Designed by
Giuseppe Lucatelli (1751–1828)​
Owned by
Municipality of Tolentino​
Capacity
371
Continuity of use/Activity
150 days open/year
100 performance days
50 days of community cultural activities​
Artists
Giuseppe Lucatelli (painted decorations, curtain), Carlo Caccianiga and Carlo Antonio Bertani (scenery), Luigi Fontana (foyer walls and curtain)
Location

Tolentino

Macerata
,
Marche

Population in
1861
10.982 inhabitants​
Current Population
17.760 inhabitants​
  1. Teatro Nicola Vaccaj​
Teatro Nicola Vaccaj
Plan
Horseshoe
Teatro Nicola Vaccaj

Façade

The low neoclassical façade reveals the upper section of the cylinder that forms the theatre’s auditorium. Three stepped-arch doorways are flanked by two side windows. Above these, two large medallions commemorate those who contributed to the theatre’s construction.

Layout of Interior Spaces

The spacious entrance hall to the Teatro Nicola Vaccaj houses the box office and leads to various amenities, including a bar. From the entrance hall, visitors are greeted by an elegant foyer, with ceiling decorated by Lucatelli and walls by Fontana. This beautiful space serves as a delightful anteroom to the auditorium. On view are several paintings by Giuseppe Lucatelli depicting mythological subjects, which originally decorated the fronts of the first and second tier boxes.

Vertical Arrangement

Three tiers of boxes and a gallery. Impressive Corinthian pilasters resting on the continuous parapet of the first tier of boxes form a peristyle in the auditorium. The pilasters extend beyond the third tier and support the entablature. Above this is a pair of archivolts framing the lunettes of the gallery tier.

Plafond

Camorcanna umbrella vault springing from the pillars that separate the boxes and supported by a wide cornice. The ceiling decoration represents Olympus with Apollo and the nine Muses, with putti between them holding the emblem of each Muse.

Decorative Elements

The auditorium is defined by grand Corinthian pilasters which line the circular space and extend up to the lunettes in the gallery, merging with the vault above. The parapets of the boxes are decorated with masks, flowers and birds.

Informations

Contact
Phone number
+39 0733 960059

Even today these historic theatres can confirm themselves as meeting places, places of creativity and growth for the community, levers of cultural and tourist development, spaces capable of creating and recreating the "magic of theatre" over time.

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    Unesco
    Partner
    Ministero della Cultura
    Regione Marche
    Collaborator
    Regione Umbria
    Regione Emilia-Romagna
    Condominio Theatres logo
    Fondazione Marche Cultura

    © Fondazione Marche Cultura / C.F. 93131340429