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Teatro Giovanni Battista Pergolesi

Jesi
General

The nominated property includes the blocks surrounding Piazza della Repubblica. This square reflects the spirit of the modern city of the late 18th century. The Teatro Giovanni Battista Pergolesi provides a picturesque backdrop with, on one side, the church of the "Adorazione".

The nominated property includes the blocks surrounding Piazza della Repubblica. This square reflects the spirit of the modern city of the late 18th century. The Teatro Giovanni Battista Pergolesi provides a picturesque backdrop with, on one side, the church of the “Adorazione”. On the other side of the theatre and on the corner of Corso Matteotti and Piazza della Repubblica is Palazzo Magagnini with its street-level arcaded walkway below a large terrace. The Teatro Giovanni Battista Pergolesi sits on an isolated rectangular plot. It was the centrepiece of complex urban planning during the city’s redevelopment in the 19th century, when it was placed outside the ancient walls. With its historicist facies, it forms the most important architectural backdrop of the square.

Little is known about the original house curtain. The current curtain was produced by Luigi Mancini, a member of the Accademia di San Luca in Rome who studied in Venice. He is believed to have worked on it between 1850 and 1856 and the subject is Frederick II of Swabia’s entry into Jesi. The Holy Roman Emperor was born in the city in 1216. The historic elements preserved in the theatre include 145 backdrops from the 18th century, which originally belonged to a puppet theatre. These backdrops are now owned by the Diocese of Jesi and have been on loan to the City of Jesi since 2000. The Teatro Giovanni Battista Pergolesi has two drum-and-shaft fly systems to control the movement of scenery and drapery, and a winch. The surviving stage machinery includes a thunder machine.

At the end of the Bicentenary celebrations of the Teatro Giovanni Battista Pergolesi (1998–2001), the rooms of the ridotto, frescoed in the 18th century by Luigi Lanci of Fabriano, were named the Sale Pergolesiane, a space dedicated to the memory of the composer Giovanni Battista Pergolesi, who was born in Jesi in 1710 and died in Pozzuoli (Naples) in 1736. The permanent exhibition includes paintings, prints, busts, sketches and medals conveying a mostly idealised image of the musician. Another section was later added in the theatre’s neoclassical foyer, this time dedicated to another famous musician with ties to the city, Gaspare Spontini (1774–1851), who was born and died in the nearby town of Maiolati.

The Pergolesi Spontini Foundation in Jesi has managed the Teatro Giovanni Battista Pergolesi on behalf of the City of Jesi since 2005. The foundation is primarily involved in live performances and organises the annual Pergolesi Spontini Festival and the traditional opera season. It has its own workshop for set construction, and organises and promotes theatre seasons (drama, symphony, children’s theatre). It is also a music publisher and training agency, and promotes seminars, and musicology studies through committees dedicated to research on Pergolesi and Spontini. It provides audience education projects (for schools and adults), social theatre and services to enable people with disabilities to have access to the opera.

The Teatro Giovanni Battista Pergolesi in Jesi is a very active theatre. In 2023 it engaged with around 20 different theatre companies, orchestras, choirs, bands, and music and dance schools. Its cultural dynamism makes the theatre an important hub for local artists. The theatre has several arrangements and partnerships with national and international universities and research centres that promote academic collaborations and foster research and studies in the theatrical and musical arts. The Teatro Giovanni Battista Pergolesi can be visited by appointment throughout the year.

Historical Context
Age of the Bourgeois Revolutions (1789–1848)
Design and Inauguration dates
1790–1798
Designed by
Francesco Maria Ciaraffoni (1720–1802), Cosimo Morelli (1732–1812)
Owned by
Municipality of Jesi
Capacity
700
Continuity of use/Activity
275 days open/year
242 days of theatrical activities
33 days of community cultural activities
Artists
Giovanni Antonio Antolini (ceiling cartoons), Felice Giani (figure painter) and Gaetano Bertolani (decorations), Carlo Caccianiga and Carlo Antonio Bertani (scenography and house curtain), Luigi Facchinelli (scenery), Giuseppe Vallesi (proscenium arch and stage box decorations), Luigi Mancini (house curtain)
Location

Jesi

Ancona
,
Marche

Population in
1861
18.948 inhabitants
Current Population
39.399 inhabitants
  1. Teatro Giovanni Battista Pergolesi
  2. Chiesa dell'Adorazione
  3. Palazzo Magagnini
  4. Town hall
  5. Arco del Magistrato
  6. Palazzo Ricci
Teatro Giovanni Battista Pergolesi
Plan
Elliptical-ovoid
Teatro Giovanni Battista Pergolesi

Façade

This work by Cosimo Morelli is in 16th-century revival style. The upper façade is presented in fair-faced brickwork, with the exception of the white stone members set off from the wall surface, while the ground floor is dressed in smooth ashlar punctuated by a sequence of nine bays. Several of these form shopfronts that open onto the square and communicate internally, with convenient compartments behind the lunettes. The two upper storeys are separated by string-course cornices, which also serve as sills for the windows aligned with the street-level bays. In keeping with the approach of the academies in Rome, the windows on the piano nobile are pedimented and have a pronounced cornice, while the upper floor windows have lintels. The flatness of the façade is tempered by a balcony above the middle arch, fitted with a simple iron railing and supported by two pairs of large stone corbels. The heavy grey stone fascia above the attic displays a large clock in the centre flanked by a pair of cornucopias and the eagles of Emperor Frederick II. This feature was added after 1839, when Maximilian de Beauharnais donated the clock to the city.

Layout of Interior Spaces

The long, narrow entrance hall is on the right side of the building. The style is neoclassical with Ionic pilasters along the walls and Ionic columns framing the apses at each end. A short flight of stairs leads from the entrance hall into the auditorium. The similarly decorated ridotto is located on the upper floor.

Vertical Arrangement

Three tiers of boxes and a gallery.

Plafond

Felice Giani painted the auditorium's camorcanna flat ceiling – with the assistance of decorative artist Gaetano Bertolani of Faenza – from designs by Giovanni Antonio Antolini. The outer ellipse shows dancing putti with garlands and small musical instruments. In among the 32 cupids appear four satyrs as a reminder of their protective function in the Greek comic theatre, of which they represent the popular aspect. The inner ellipse has a mythological theme: Stories of Apollo, an expression of the shift from the baroque and rococo styles to neoclassicism.

Decorative Elements

The balustrades of the boxes feature elegant gilded stucco decorations with architectural motifs on a white background. The decorations lend a touch of sophisticated simplicity to the architectural elements of the auditorium.

Informations

Contact
Phone number
+39 0731 202944

Even today these historic theatres can confirm themselves as meeting places, places of creativity and growth for the community, levers of cultural and tourist development, spaces capable of creating and recreating the "magic of theatre" over time.

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    Unesco
    Partner
    Ministero della Cultura
    Regione Marche
    Collaborator
    Regione Umbria
    Regione Emilia-Romagna
    Condominio Theatres logo
    Fondazione Marche Cultura

    © Fondazione Marche Cultura / C.F. 93131340429