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Teatro della Fortuna

Fano
General

The nominated property includes the blocks that line Piazza XX Settembre. The square itself is an expression of Fano's eclectic identity and the city’s ability to harmoniously fuse different testi-monies of its past. The piazza is the pulsating heart of the city, the focal point of urban life, as much today as it was in the past. It is a place where different eras and architectures comingle to form one of Fano’s most important landmarks.

The nominated property includes the blocks that line Piazza XX Settembre. The square itself is an expression of Fano’s eclectic identity and the city’s ability to harmoniously fuse different testi-monies of its past. The piazza is the pulsating heart of the city, the focal point of urban life, as much today as it was in the past. It is a place where different eras and architectures comingle to form one of Fano’s most important landmarks.

The main buildings lining Piazza XX Settembre include the Teatro della Fortuna, housed in the 14th-century Palazzo del Podestà (also known as Palazzo della Ragione), the civic tower and the Church of San Silvestro. The church is the only religious building in the square and is one of the old-est in the city’s old town. Palazzo del Podestà is one of the city’s principal architectural and historical landmarks. Other notable buildings in the square are Palazzo Bambini, the Quadreria (picture gallery) of Fondazione Cassa di Risparmio di Fano and Palazzo Malatestiano with the Malatesta Courtyard. Palazzo Malatestiano is one of the city’s most symbolic buildings, with a complex architectural iden-tity and a variety of styles that bear witness to the richness of Fano’s cultural heritage. Fontana della Fortuna can be found on Corso Matteotti on the west side of the square. The fountain was renovated in 1697–99 by the Venetian Ludovico Torresini. The bronze statuette of the goddess Fortuna is a copy of the 1593 original produced by Donnino Ambrosi.

The magnificent historic house curtain in the Teatro della Fortuna has recently been carefully re-stored. It was originally created by Francesco Grandi, who painted an imaginary Triumphal entry of Emperor Caesar Octavian Augustus into ancient Fanum Fortunae. The emperor is seated on a chariot drawn by four white horses and receives a tribute from the magistrates and citizens. One notable figure is Vitruvius, depicted with Poletti’s facial features, holding a drawing of the basilica he designed for Fano. In the background is a view of the city, ideally reassembled with its walls, towers, houses, Vitru-vius’s basilica and the Arch of Augustus. Two rooms with polychrome mosaic floors were discovered during restoration work on the Teatro della Fortuna in 1984. One of the floors is partially preserved with a braided decoration and a central square. The other is well preserved with an elaborate six-circle ro-sette inscribed in a square emblem, typical of the second half of the 2nd century CE.

Fondazione Teatro della Fortuna is the theatre’s foundation which offers a rich cultural pro-gramme that takes place mainly from October to June. Events include drama, contemporary thea-tre and children’s theatre, produced in partnership with AMAT. The symphony season involves the regional FORM orchestra and the Orchestra Sinfonica G. Rossini. The opera seasons are organised in partnership with Fondazione Rete Lirica delle Marche and include performances for schools. The Opera Domani project is a collaboration with Aslico which aims to get young people involved in op-era. The theatre also hosts private events and organises guided tours and openings for the public. Since September 2020, a collaborative project with the Università Politecnica delle Marche has been underway to digitise and document the historic curtain of the Teatro della Fortuna.

Historical Context
Period of the rise of the nation-state (1848–1875)​
Design and Inauguration dates
1842–1863​
Designed by
Luigi Poletti (1792–1869)​
Owned by
Municipality of Fano​
Capacity
596
Continuity of use/Activity
96 days open/year
84 performance days
12 days of community cultural activities​
Artists
Luigi Poletti (cartoons for decorations), Giuliano Corsini (stucco decorations), Romolo and Tancredi Liverani (scenery, act drop, teaser), Francesco Grandi (vault decorations, house curtain), Mariano and Gioacchino Grassi (entrance hall decorations), Giuseppe Rastelli (stage machinery)​
Location

Fano

Pesaro and Urbino
,
Marche

Population in
1861
19,161 inhabitants​
Current Population
59,963 inhabitants​
  1. Palazzo del Podestà / Teatro della Fortuna
  2. Civic Tower
  3. Church of San Silvestro
  4. Palazzo Bambini
  5. Quadreria della Fondazione Cassa di Risparmio di Fano
  6. Palazzo Malatestiano
  7. Palazzo Montevecchio​
Teatro della Fortuna
Plan
Horseshoe
Teatro della Fortuna

Façade

The theatre occupies the area behind the ancient Palazzo della Ragione with main elevation on Piazza XX Settembre, the city’s main square. The façade consists of two parts: the first corresponds to the 14th-century palace, the second is the civic tower. On the ground floor there is a stone five-bayed arcade below an austere brick surface with four large four-light windows. Above the third bay in the centre of the building is the Triptych of the Protectors.

Layout of Interior Spaces

The arcade leads to the theatre’s first entrance hall. The Teatro della Fortuna has two entrance halls created from the old loggias of Palazzo della Podestà. The first entrance hall features vibrant painted decorations on the three groin vaults and the lunettes below them, created in the Pompeian style in 1863 by the brothers Mariano and Gioacchino Grassi to cartoons by Poletti. The second entrance hall leads to two dramatic staircases and the ambulatories of the boxes and the third-tier ridotto room, now called Sala Verdi, which serves as an auditorium.

Vertical arrangement

Three tiers of boxes and a gallery. The ground floor is of unusual height compared to traditional theatres and supports the overhanging first tier of boxes, which are divided by carved wooden winged chimeras. About a metre behind these are the decorated masonry pillars with corbels supporting the second tier of boxes. A peristyle of Corinthian columns supports the frieze and cornice of the gallery and separates the second and third tiers of boxes.

Plafond

The shallow dome vault springs from the back wall of the gallery rather than from the pillars dividing the boxes. The ceiling decorations by Giuliano Corsini of Urbino are a rich design of concentric crowns.

Decorative Elements

The panelled parapets of the first and second tiers have gilded stucco ornamentation produced by Giuliano Corsini to designs by Poletti. The balustrades of the gallery and the third tier are relieved by fretwork and 18 statues line the gallery parapet.

Informations

Contact
Phone number
+39 0721 800750

Even today these historic theatres can confirm themselves as meeting places, places of creativity and growth for the community, levers of cultural and tourist development, spaces capable of creating and recreating the "magic of theatre" over time.

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    Unesco
    Partner
    Ministero della Cultura
    Regione Marche
    Collaborator
    Regione Umbria
    Regione Emilia-Romagna
    Condominio Theatres logo
    Fondazione Marche Cultura

    © Fondazione Marche Cultura / C.F. 93131340429